The concept behind the RX1R3 is simple and radical:

the highest possible image quality, in the most compact, lightweight, and portable camera body possible.

In short, this is the camera many Leica users have been waiting for. For years, there have been loud calls for a Leica Q with a 50mm equivalent lens, and it’s finally here. The result is very, very good. It offers the best image quality ever seen on a 35mm compact camera. It’s fun, enjoyable, fast, and quite user-friendly.

Nikon is going back to its roots.

A car that pays homage to tradition; in particular, the resemblance to the FM2—a legendary model from the yellow-and-black team—is striking.

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Nikon is returning to its roots. A camera that pays homage to tradition, particularly in its striking resemblance to the FM2, a legendary camera from the yellow-and-black brand.

Sony RX10 Mark 4

The last of its kind. The last bridge.

The last of the bridge cameras. Once an extremely crowded market segment, today there are only a handful of models left on the market.

And yet, in this latest version, Sony really has thrown everything it could into it.

Let’s be clear: this is a car that’s been around for a few years now, having been unveiled in September 2017, but it remains remarkably relevant.

Starting in the 1960s, just as in the last 10 years, there has been a proliferation of ultra-bright lenses. Especially 50mm lenses, much to my delight (it’s my favorite focal length).

Starting in the 1960s, just as we’ve seen in the past decade, we’ve witnessed the emergence of a LOT of ultra-fast lenses. Most of them have a focal length of around 50 mm, which is my favorite focal length, and that makes me really happy. To be honest, this trend actually began in the late 1950s with the very first f/1.2 lens available on the market.

It’s finally here. The digital Leica M we’ve all been waiting for ever since digital became the standard. It’s here—a true professional tool. Let me explain.

It’s finally here. The Leica M we’ve been waiting for ever since digital photography became the norm. It’s here—a true professional tool. Let me explain.

Welcome to a new section of the blog/website. I hope you enjoy it and find it useful. The first article will cover the post-production of monochrome camera files, which can be complex compared to traditional digital cameras—that is, color cameras.

Voigtländer is back with its line of high-end lenses, the Apo Lanthar…

Hands-on review of the Fujifilm X100V